News Ticker

CaroleenJettGreen_BavmortasThroneRoom-001-1024×655

CaroleenJettGreen_BavmortasThroneRoom-001-1024×655

Leave a Reply Cancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

filmumentaries

Episode 110 of The Filmumentaries Podcast is up. T

Episode 110 of The Filmumentaries Podcast is up. This time I chat with ILM's very own Andrew Whitehurst. @andrewrjw

Andrew’s journey into the visual effects industry is one that really resonates with me, especially when he talks about his childhood fascination with all things movie magic and a certain BBC documentary. Yes, THAT one! Again!

Like many of us, it all started with a spark of curiosity. He pursued that passion at art college and gained experience in various roles, which eventually led him to become a visual effects artist. His early work on projects like Tomb Raider 2 and Troy paved the way for his role as VFX supervisor on Ex Machina, ultimately winning him an academy award.

In our conversation, we got to dive deep into Andrew’s experience working on films like Ex Machina and Indiana Jones and the Dial of Destiny. We talked about the challenges of creating realistic CGI characters and the meticulous attention to detail that’s required for modern audiences. Andrew shares that belief in the value of using traditional tools like pencil and paper in the design process, and on the importance of looking beyond the screen to other forms of art for inspiration.

Through our discussion, Andrew provided some great insights into the decision-making process for visual effects and how to strike that delicate balance between realism and audience expectations.

Listen in for the whole conversation. Link in bio.#ilm #vfx #indianajones

This is a short bonus episode in which I interview

This is a short bonus episode in which I interview author Kelly Knox about her co-authoring of "Return of the Jedi - A Visual Archive".

Kelly Knox discusses her love for the Star Wars movies, particularly the original trilogy, and her experience co-writing the visual archive book for Return of the Jedi. The book focuses on the behind-the-scenes details and connections that branched out from the film. Kelly shares her favorite discoveries while researching for the book and the challenge of balancing the desire for detail with limited space. She also hints at future projects and her excitement for attending Star Wars Celebration in Japan.

Enjoy!

Episode 109 is up! This time I chat with the BFI'

Episode 109 is up!
This time I chat with the BFI's Doug Weir and Kieron Webb about a special 35mm screening of the 1933 classic, King Kong!

Jett Green shares her career journey as a matte pa

Jett Green shares her career journey as a matte painter on Labyrinth, The Temple of Doom, Howard the Duck, and many more incredible movies. She reflects on ILM's collaborative culture and her transition to digital art and fine art.

I had a great time chatting with Jett!

Listen in for the whole conversation.
#mattepainting #vfx #practicaleffect

@ranchoobiwan's very own Steve Sansweet on the siz

@ranchoobiwan's very own Steve Sansweet on the size problem of collecting for almost 50 years.

Hear the entire interview in episode 107 of The Filmumentaries Podcast.

Help support the podcast at patreon.com/jamiebenni

Help support the podcast at patreon.com/jamiebenning

Here's editing and sound design legend, Walter Mur

Here's editing and sound design legend, Walter Murch schooling us on how Francis Ford Coppola's "The Conversation" and Roman Polanski's "Chinatown" are linked.

Find out more stories like this on The Filmumentaries Podcast. Link in bio.

#Chinatown #polanski #coppola #walter #murch #filmmaking

Hoping to get Ben Burtt in the podcast some day! I

Hoping to get Ben Burtt in the podcast some day! I just love his ingenuity. This "orangic" approach still carries on @skywalkersound today!
#design #sounddesign #sounddesigner

In this episode of the Filmumentaries Podcast, I i

In this episode of the Filmumentaries Podcast, I interview Nilo Rodis-Jamero, a designer and production designer known for his work on films like *The Empire Strikes Back*, *Return of the Jedi*, and *Johnny Mnemonic*.

We discuss Nilo's experiences working with George Lucas, Phil Tippett, and Joe Johnston (for @ilmvfx), as well as his stories about other renowned designers like Eiko Ishioka and Hayao Miyazaki. Nilo shares insights into his design process and the importance of simplicity and iconicity in his work. Our conversation also touches on Nilo's involvement in the design of the character Buzz Lightyear in *Toy Story* and his experiences as a production designer on *Johnny Mnemonic*.

In this part of the conversation, Nilo discusses the challenges of working on movies with hard deadlines and limited budgets. He shares his experiences working with George Lucas and John Hughes and how their approaches to filmmaking differed from the Hollywood norm. Nilo also compares working on *Johnny Mnemonic* and *Explorers*, both of which faced production difficulties. He highlights the importance of creative freedom and the impact of budget constraints on the filmmaking process. Nilo also shares insights into the differences between the film and video game industries, particularly in terms of discipline and the lack of a hard deadline in game development.

This is only part 1 of a long conversation. Part 2 is coming up soon!

### Takeaways

- Nilo Rodis-Jamero has had a diverse and influential career as a designer and production designer in the film industry.
- He has worked on iconic films like *The Empire Strikes Back*, *Return of the Jedi*, and *Johnny Mnemonic*.
- Nilo has rubbed shoulders with renowned designers and filmmakers, including George Lucas, Phil Tippett, Joe Johnston, Eiko Ishioka, and Hayao Miyazaki.
- His design process focuses on simplicity and creating designs that are easily recognizable and memorable.

Listen in for all the stories!

Legendary ILM model maker Lorne Peterson explains

Legendary ILM model maker Lorne Peterson explains how quickly he came up with the idea for the imploding house for Poltergeist.

Imagine being sat next to Steven Spielberg and thinking on your feet like that!

Find out more stories from Lorne in episodes 49 and 40 of The Filmumentaries Podcast.

Poltergeist was released in June 1982.

Now available only on Amazon. Link in bio or visit

Now available only on Amazon. Link in bio or visit filmumentaries.com

John Carpenter's "The THING" is 42 years old today

John Carpenter's "The THING" is 42 years old today!

Here's VFX expert Peter Kuran talking about that iconic opening sequence back in episode 75 of The Filmumentaries Podcast.

I had the pleasure of interviewing Richard Bluff a

I had the pleasure of interviewing Richard Bluff and Matthew Wood, the visual effects supervisor and supervising sound editor of Lucasfilm's 'Ahsoka' on Disney+. We delved into their experiences creating sound and visual effects for the show, exploring the unique challenges they tackled and the seamless collaboration between their departments.

We discussed the creative use of both digital and practical effects for Ahsoka's ship and dove into the design and sound intricacies of iconic ships like the Eye of Sion and the Vesper. Both Richard and Matthew highlighted the crucial role of early sound involvement in production and the delicate balance between leveraging technology and traditional tools to bring these worlds to life.

Don't miss out on another behind-the-scenes insight with the Filmumentaries Podcast! #Emmys #FYC #ForYourConsideration

In my latest podcast episode, I had the pleasure o

In my latest podcast episode, I had the pleasure of interviewing Richard Bluff and Matthew Wood, the visual effects supervisor and supervising sound editor of Lucasfilm's 'Ahsoka' on Disney+. We delved into their experiences creating sound and visual effects for the show, exploring the unique challenges they tackled and the seamless collaboration between their departments.

We discussed the creative use of both digital and practical effects for Ahsoka's ship and dove into the design and sound intricacies of iconic ships like the Eye of Sion and the Vesper. Both Richard and Matthew highlighted the crucial role of early sound involvement in production and the delicate balance between leveraging technology and traditional tools to bring these worlds to life.

Don't miss out on another behind-the-scenes insight with the Filmumentaries Podcast! #Emmys #FYC #ForYourConsideration

Brilliant production designer Nathan Crowley on ho

Brilliant production designer Nathan Crowley on how kit bashing was the best way to create the Batmobile.

For episode 103 of the Filmumentaries podcast, I i

For episode 103 of the Filmumentaries podcast, I interviewed production designer Nathan Crowley. We discuss his career in the film industry, starting with his first job on the film Hook. We also talk about the importance of practical effects and the collaboration between different departments in creating a cohesive world on screen. Crowley shares his experiences working with directors like Chris Nolan and his approach to design. Our conversation covers a range of topics, from the role of a production designer to the challenges and joys of working on different films. Nathan Crowley, a renowned production designer, discusses his career and the challenges of designing for films like Interstellar, The Dark Knight trilogy, and Tenet. He talks about the importance of visual storytelling and the role of production design in creating immersive worlds. Crowley also shares his experience working with directors like Christopher Nolan and his use of AI in the design process. Overall, he emphasizes the need for constant innovation and the joy of tackling new design challenges.#work #film #design #productiondesigner #designer #world #set #building #artdirector #chrisnolan #ai #day #specialeffects #nathancrowley

Delving into the intricate world of visual effects

Delving into the intricate world of visual effects and historical storytelling with VFX experts Steve Jelley and Xavier Bernasconi from @dimensionstudio and @dneg 🎥🌟 From creating realistic weather systems to choreographing intense aerial combat scenes, every detail in bringing "Masters of the Air" to life was meticulously crafted. 🛩️💥 Balancing historical accuracy with cinematic flair, the team's dedication shines through in every frame. 🎬✨ An inside look at the magic behind the scenes! #FilmProduction #VisualEffects #HistoricalDrama #BehindTheScenes #MastersOfTheAir

"Navigate to Skywalker Ranch". Check out the full

"Navigate to Skywalker Ranch".

Check out the full story at Filmumentaries.com

Ever wondered what it's like to visit Skywalker Ra

Ever wondered what it's like to visit Skywalker Ranch, @skywalkersound, @ilmvfx, @lucasfilm and @ranchoobiwan in just three days?

Here's my full report on what was the experience of a lifetime! And, joined by none other than @giganticcranium and @lornepeterson.

Check the link in the bio for the full story.

What an incredible time I've had here. Thanks to e

What an incredible time I've had here. Thanks to everyone that has made it so! @ilmvfx @lucasfilm @skywalkersound

Load More Follow on Instagram

Copyright © 2024 | MH Magazine WordPress Theme by MH Themes