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  • [ 19/11/2024 ] 115 – John Bell – Concept Designer and Art Director Articles
  • [ 05/11/2024 ] My first article for ILM! Articles
  • [ 05/11/2024 ] 114 – Laurent Bouzereau – Director of “Music By John Williams” Articles
  • [ 30/10/2024 ] 113 – Kevin Jenkins – Production Designer Articles
  • [ 07/10/2024 ] 112 – Jon Spira – “The Life and Deaths of Christopher Lee” Articles
Articles

115 – John Bell – Concept Designer and Art Director

19/11/2024 filmumentaries 0

Welcome to Episode 115 of The Filmumentaries Podcast. I’m Jamie Benning, and this week I’m talking to John Bell, a concept artist and art director whose career has spanned some of the most memorable films […]

Articles

My first article for ILM!

05/11/2024 filmumentaries 0

Back in August this year, I was invited by the folks at Lucasfilm to join a group of writers to produce articles for both ILM.com and Skysound.com. Of course, I jumped at the chance to […]

Articles

114 – Laurent Bouzereau – Director of “Music By John Williams”

05/11/2024 filmumentaries 0

In this episode of the Filmumentaries podcast, I’m sitting down with director Laurent Bouzereau to chat about his new documentary, ‘Music by John Williams’. We dive into the emotional punch of Williams’ music, the process […]

Articles

113 – Kevin Jenkins – Production Designer

30/10/2024 filmumentaries 0

In this chat with Kevin Jenkins, we dive into our shared love for movies and what first sparked that passion. We swap stories about our childhood movie experiences and the films that got under our […]

Articles

112 – Jon Spira – “The Life and Deaths of Christopher Lee”

07/10/2024 filmumentaries 0

Episode 112 – Jon Spira, Director of The Life and Deaths of Christopher Lee In this episode of The Filmumentaries Podcast, I sit down once again with Jon Spira, a filmmaker whose passion for British […]

Articles

111 – TyRuben Ellingson – VFX Artist and Educator

25/09/2024 filmumentaries 0

When I spoke with visual effects artist and educator TyRuben Ellingson, I was keen to explore his journey from art student to key figure at Industrial Light & Magic. Known for his work on films […]

Articles

109 – King Kong – 35mm BFI Screening

27/08/2024 filmumentaries 0

In this episode, Jamie Benning interviews Doug Weir and Kieran Webb from the British Film Institute (BFI) about the restoration and screening of the 1933 classic film King Kong – 18th and 16th Sept 2024. […]

Articles

108 – Jett Green – Matte Painter / Artist

20/08/2024 filmumentaries 0

  A couple of weeks ago I was lucky enough to be given the opportunity to talk with artist Jett Green. Back in the 80’s she worked for Industrial Light and Magic and created a […]

Articles

107 – Steve Sansweet – Rancho Obi-Wan

06/08/2024 filmumentaries 0

Steve Sansweet, former bureau chief of the Wall Street Journal, shares his passion for movies and collecting, particularly Star Wars memorabilia. He recalls his childhood love for movies and science fiction, and how he started […]

Articles

106 – Nilo Rodis Jamero – Part 2/2

06/08/2024 filmumentaries 0

Last episode you heard part one of my conversation with Nilo Rodis Jamero, design legend and wonderful person. For this episode, number 106, the first of July 2024 you’ll be hearing part two of our […]

Articles

105 – Nilo Rodis Jamero – Legendary Designer 1/2

27/06/2024 filmumentaries 0

In this episode of the Filmumentaries podcast, host Jamie Benning interviews Nilo Rodis-Jamero, a designer and production designer known for his work on films like The Empire Strikes Back, Return of the Jedi, and Johnny […]

Articles

104 – Ahsoka – VFX and Sound – With Richard Bluff and Matthew Wood

17/06/2024 filmumentaries 0

For episode 104, I spoke with ILM’s VFX Supervisor, Richard Bluff and Skywalker Sound’s Matthew Wood about their work on the Disney+ series, Ahsoka. LinksApple – Spotify Key takeaways:

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In this episode of the Filmumentaries podcast, I’m bringing you some updates on my work with ILM and sitting down with director Laurent Bouzereau to chat about his new documentary, Music by John Williams from @lucasfilm. We dive into the emotional punch of Williams’ music, the process behind crafting the documentary, and Williams’ lasting legacy as a composer. Laurent opens up about his experience working closely with Williams and the art of storytelling in documentaries, as well as the challenge of sifting through such a massive collection of iconic work. ‘Music by John Williams’ is available on Disney+ and in cinemas for limited release.
Episode 113 is up. My conversation with production Episode 113 is up. My conversation with production designer, art director, concept designer and VFX artist Kevin Jenkins. We swap stories about our childhood movie experiences and the films that got under our skin—like Jaws, Star Wars, and Close Encounters of the Third Kind. We talk about how these films not only shaped Kevin's tastes but ignited a passion for storytelling and artistry that's stuck with him. Kevin and I get into the risks filmmakers took back then. We touch on the balance between practical effects and digital tech, and why having a passionate, collaborative team is crucial to making something memorable. There's a bit on the commercialization of genres and how fandom sometimes gets too caught up in nostalgia, missing out on new, original stories. We also cover how filmmaking has evolved with technology, especially for artists like Kevin, who transitioned from traditional illustration to digital tools. Kevin shares insights on how tech influences collaboration and creativity on set. He walks me through the role of a concept artist, the problem-solving and idea generation that goes into projects like World War Z and Edge of Tomorrow—highlighting the creative process behind creature designs and visual effects. Kevin opens up about the challenge of finding the right design and the nuances of working within big franchises. He talks about the essential collaboration between art and costume departments to build a cohesive visual world. Finally, Kevin shares his ambition to work on a historical epic.
In episode 112 of The Filmumentaries Podcast, Jon In episode 112 of The Filmumentaries Podcast, Jon Spira discusses his latest documentary "The Life and Deaths of Christopher Lee". See it in the UK on Sky on 24th October 2024. We explore the challenges of public perception and reviews, the emotional depth he aimed to capture, and the innovative storytelling techniques he employed, including the use of puppetry. Jon reflects on the importance of narrative control and the reactions to his creative choices, emphasizing the significance of collaboration with talented individuals in the filmmaking process. He also talks about the importance of empathy in storytelling and the challenges faced in navigating film festivals. The discussion also touches on the future of cinema and the complexities of human nature.
Heartbroken to hear that Robert Watts has passed a Heartbroken to hear that Robert Watts has passed away. The afternoon we spent with him in 2018 was filled with such unforgettable stories. He spoke about the passion needed to succeed in the industry. His own passion shone brightly, right until the end. We owe you so much Robert.❤️
Episode 111 is live! I sit down with TyRuben Ellin Episode 111 is live! I sit down with TyRuben Ellingson, VFX Art Director and educator, to talk early influences, his work at ILM, collaborating with Spielberg, Lucas, and Cameron, and the lessons he's learnt along the way. Check the linktree in my bio.
Episode 110 of The Filmumentaries Podcast is up. T Episode 110 of The Filmumentaries Podcast is up. This time I chat with ILM's very own Andrew Whitehurst. @andrewrjw Andrew’s journey into the visual effects industry is one that really resonates with me, especially when he talks about his childhood fascination with all things movie magic and a certain BBC documentary. Yes, THAT one! Again! Like many of us, it all started with a spark of curiosity. He pursued that passion at art college and gained experience in various roles, which eventually led him to become a visual effects artist. His early work on projects like Tomb Raider 2 and Troy paved the way for his role as VFX supervisor on Ex Machina, ultimately winning him an academy award. In our conversation, we got to dive deep into Andrew’s experience working on films like Ex Machina and Indiana Jones and the Dial of Destiny. We talked about the challenges of creating realistic CGI characters and the meticulous attention to detail that’s required for modern audiences. Andrew shares that belief in the value of using traditional tools like pencil and paper in the design process, and on the importance of looking beyond the screen to other forms of art for inspiration. Through our discussion, Andrew provided some great insights into the decision-making process for visual effects and how to strike that delicate balance between realism and audience expectations. Listen in for the whole conversation. Link in bio.#ilm #vfx #indianajones
This is a short bonus episode in which I interview This is a short bonus episode in which I interview author Kelly Knox about her co-authoring of "Return of the Jedi - A Visual Archive". Kelly Knox discusses her love for the Star Wars movies, particularly the original trilogy, and her experience co-writing the visual archive book for Return of the Jedi. The book focuses on the behind-the-scenes details and connections that branched out from the film. Kelly shares her favorite discoveries while researching for the book and the challenge of balancing the desire for detail with limited space. She also hints at future projects and her excitement for attending Star Wars Celebration in Japan. Enjoy!
Episode 109 is up! This time I chat with the BFI' Episode 109 is up! This time I chat with the BFI's Doug Weir and Kieron Webb about a special 35mm screening of the 1933 classic, King Kong!
Jett Green shares her career journey as a matte pa Jett Green shares her career journey as a matte painter on Labyrinth, The Temple of Doom, Howard the Duck, and many more incredible movies. She reflects on ILM's collaborative culture and her transition to digital art and fine art. I had a great time chatting with Jett! Listen in for the whole conversation. #mattepainting #vfx #practicaleffect
@ranchoobiwan's very own Steve Sansweet on the siz @ranchoobiwan's very own Steve Sansweet on the size problem of collecting for almost 50 years. Hear the entire interview in episode 107 of The Filmumentaries Podcast.
Help support the podcast at patreon.com/jamiebenni Help support the podcast at patreon.com/jamiebenning
Here's editing and sound design legend, Walter Mur Here's editing and sound design legend, Walter Murch schooling us on how Francis Ford Coppola's "The Conversation" and Roman Polanski's "Chinatown" are linked. Find out more stories like this on The Filmumentaries Podcast. Link in bio. #Chinatown #polanski #coppola #walter #murch #filmmaking
In this episode of the Filmumentaries Podcast, I i In this episode of the Filmumentaries Podcast, I interview Nilo Rodis-Jamero, a designer and production designer known for his work on films like *The Empire Strikes Back*, *Return of the Jedi*, and *Johnny Mnemonic*. We discuss Nilo's experiences working with George Lucas, Phil Tippett, and Joe Johnston (for @ilmvfx), as well as his stories about other renowned designers like Eiko Ishioka and Hayao Miyazaki. Nilo shares insights into his design process and the importance of simplicity and iconicity in his work. Our conversation also touches on Nilo's involvement in the design of the character Buzz Lightyear in *Toy Story* and his experiences as a production designer on *Johnny Mnemonic*. In this part of the conversation, Nilo discusses the challenges of working on movies with hard deadlines and limited budgets. He shares his experiences working with George Lucas and John Hughes and how their approaches to filmmaking differed from the Hollywood norm. Nilo also compares working on *Johnny Mnemonic* and *Explorers*, both of which faced production difficulties. He highlights the importance of creative freedom and the impact of budget constraints on the filmmaking process. Nilo also shares insights into the differences between the film and video game industries, particularly in terms of discipline and the lack of a hard deadline in game development. This is only part 1 of a long conversation. Part 2 is coming up soon! ### Takeaways - Nilo Rodis-Jamero has had a diverse and influential career as a designer and production designer in the film industry. - He has worked on iconic films like *The Empire Strikes Back*, *Return of the Jedi*, and *Johnny Mnemonic*. - Nilo has rubbed shoulders with renowned designers and filmmakers, including George Lucas, Phil Tippett, Joe Johnston, Eiko Ishioka, and Hayao Miyazaki. - His design process focuses on simplicity and creating designs that are easily recognizable and memorable. Listen in for all the stories!
Legendary ILM model maker Lorne Peterson explains Legendary ILM model maker Lorne Peterson explains how quickly he came up with the idea for the imploding house for Poltergeist. Imagine being sat next to Steven Spielberg and thinking on your feet like that! Find out more stories from Lorne in episodes 49 and 40 of The Filmumentaries Podcast. Poltergeist was released in June 1982.
Now available only on Amazon. Link in bio or visit Now available only on Amazon. Link in bio or visit filmumentaries.com
John Carpenter's "The THING" is 42 years old today John Carpenter's "The THING" is 42 years old today! Here's VFX expert Peter Kuran talking about that iconic opening sequence back in episode 75 of The Filmumentaries Podcast.
I had the pleasure of interviewing Richard Bluff a I had the pleasure of interviewing Richard Bluff and Matthew Wood, the visual effects supervisor and supervising sound editor of Lucasfilm's 'Ahsoka' on Disney+. We delved into their experiences creating sound and visual effects for the show, exploring the unique challenges they tackled and the seamless collaboration between their departments. We discussed the creative use of both digital and practical effects for Ahsoka's ship and dove into the design and sound intricacies of iconic ships like the Eye of Sion and the Vesper. Both Richard and Matthew highlighted the crucial role of early sound involvement in production and the delicate balance between leveraging technology and traditional tools to bring these worlds to life. Don't miss out on another behind-the-scenes insight with the Filmumentaries Podcast! #Emmys #FYC #ForYourConsideration
In my latest podcast episode, I had the pleasure o In my latest podcast episode, I had the pleasure of interviewing Richard Bluff and Matthew Wood, the visual effects supervisor and supervising sound editor of Lucasfilm's 'Ahsoka' on Disney+. We delved into their experiences creating sound and visual effects for the show, exploring the unique challenges they tackled and the seamless collaboration between their departments. We discussed the creative use of both digital and practical effects for Ahsoka's ship and dove into the design and sound intricacies of iconic ships like the Eye of Sion and the Vesper. Both Richard and Matthew highlighted the crucial role of early sound involvement in production and the delicate balance between leveraging technology and traditional tools to bring these worlds to life. Don't miss out on another behind-the-scenes insight with the Filmumentaries Podcast! #Emmys #FYC #ForYourConsideration
Brilliant production designer Nathan Crowley on ho Brilliant production designer Nathan Crowley on how kit bashing was the best way to create the Batmobile.
For episode 103 of the Filmumentaries podcast, I i For episode 103 of the Filmumentaries podcast, I interviewed production designer Nathan Crowley. We discuss his career in the film industry, starting with his first job on the film Hook. We also talk about the importance of practical effects and the collaboration between different departments in creating a cohesive world on screen. Crowley shares his experiences working with directors like Chris Nolan and his approach to design. Our conversation covers a range of topics, from the role of a production designer to the challenges and joys of working on different films. Nathan Crowley, a renowned production designer, discusses his career and the challenges of designing for films like Interstellar, The Dark Knight trilogy, and Tenet. He talks about the importance of visual storytelling and the role of production design in creating immersive worlds. Crowley also shares his experience working with directors like Christopher Nolan and his use of AI in the design process. Overall, he emphasizes the need for constant innovation and the joy of tackling new design challenges.#work #film #design #productiondesigner #designer #world #set #building #artdirector #chrisnolan #ai #day #specialeffects #nathancrowley
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Recent Posts
  • 115 – John Bell – Concept Designer and Art Director
  • My first article for ILM!
  • 114 – Laurent Bouzereau – Director of “Music By John Williams”
  • 113 – Kevin Jenkins – Production Designer
  • 112 – Jon Spira – “The Life and Deaths of Christopher Lee”

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